Donna Cameron is an internationally noted and exhibited artist. Cameron's photography and films use a unique cinematic paper emulsion process (CPE) for which she was issued a U.S. Patent in 2001. Her work is in the permanent collection of the Museum of Modern Art, NY (MoMA) and is represented by the MoMA Circulating Film Library. Cameron was exhibited in the MoMA's 20th century retrospective of art, "MoMA 2000", and in the Whitney Museum of American Art's millennial "The Color of Ritual, The Color of Thought," in 2000. Her art, photography and films were represented in the 51st and 52nd Venice Biennale of Art in 2005 and 2007, May-
October. Cameron holds a Masters Degree in Digital Imaging and Technologies from the Tisch School of the Arts, NYU, and a BFA in film/photography from the School of the Art Institute of Chicago.
Cameron's art is anthologized in Cynthia Maris Dantzic's "100 New York Photographers" (2009), Maureen Furness' "The Animation Bible" (2008) and William Wees' "Recycled Images" (1993). She lives and works in Brooklyn NY.